Considerations in Recorded Performance and The Underlying Acousmatics of Modern Music

Considerations in Recorded Performance and The Underlying Acousmatics of Modern Music

Authors

Kanghyun Park

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Abstract

The purpose of my project was to take my experience and training as a formally educated composer, arranger, and music producer and experience the intricacies behind a transition into the role of a performing and recording artist during my time in formal academia. Research behind this thesis was conducted in hopes to gain insights into the required technical facilities, repertoire, and furthering my understanding of the creative process and overarching experience from the performing musician’s perspective. Additionally, I set out to understand how the intricacies of aforementioned experience between the performing artists and auxiliary parties and how said experience can affect the music as an end-product, and found that a large part of my research was affected by stylistic and technical applications of acousmatic music and sounds during the production process.

Publication Date

7-1-2023

Campus

Valencia (Spain) Campus

Keywords

acousmatic, arranger, composer, performer, producer, recording, transition

Considerations in Recorded Performance and The Underlying Acousmatics of Modern Music

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