D’ANTONIO: Integrating Audioreactivity with Visuals
This project aims to convey the power and efficacy of a combined audiovisual performance by a solo musician to the average audience or concertgoer, embodied through D’ANTONIO. Using simple, effective, self-designed audioreactive visuals organized and implemented through Ableton Live, Resoume, and guitar loops, the hope is that artists with no prior experience in electronic production or graphic design can express themselves and bring new life to their work in an all-encompassing way.
Valencia (Spain) Campus
Max MSP; Adobe After Effects; Resolume; Ableton Live; C++; Arduino; audioreactivity; CC; MIDI
Project Components: one project video (.mp4), one reflection paper (.pdf), one presentation (.pdf), visual content (one ZIP file containing nine .mp4 files), maxpatches (one ZIP file containing 3 .json files, 13 .maxpat files),
D’Antonio Dry, Harry. “D’ANTONIO: Integrating Audioreactivity with Visuals.” Master's Project, Berklee College of Music, 2018. https://remix.berklee.edu/graduate-studies-production-technology/117.