Rescoring a Blockbuster Avengers: Age of Ultron
This project shows the culmination of a year full of hard work and different experiences happened in our Masters in Scoring for Film, Television and Video Games. Going through all the processes that we have been taught during the year, we started from finding a video to compose for, preparing a tempo map and markers, doing different versions and preparing a proper Mock-Up, write a score, record in one of the most important studios in the whole world, based in London, and editing and mixing the cue to premiere it finally. I come from a classical background, and some of the parts of this process sound kind of easy to do. But it is true that before doing this degree, I always composed directly on a score, and doing it first on a DAW and then writing down the score was one of my main concerns. But knowing that the goal was going to be recording with top musicians at Air Studios, a famous recording stage where composers like Alan Menken or Danny Elfman recorded, I knew the hard work would be worth it. I only hope that this experience can help future students to understand better what the SFTV Master’s Degree means, and share with everyone what my journey to London meant.
Valencia (Spain) Campus
composer; film scoring; orchestrating; conducting; sequencing; editing; mixing
Blasco Llopis, Laura. “Rescoring a Blockbuster Avengers: Age of Ultron.” Master's Project, Berklee College of Music, 2019. https://remix.berklee.edu/graduate-studies-scoring/131.