Musical mutiny: Potemkin as a film scoring experimental stage in 21st century

Musical mutiny: Potemkin as a film scoring experimental stage in 21st century

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Abstract

This thesis aims to make a comparative analysis between different music scores written for Battleship Potemkin. The film, directed in 1925 by Russian filmmaker Sergei Eisenstein, is considered a landmark in film history by a large part of historians and researchers. Many of the techniques used today in filmmaking are due to experiments and innovations translated by Eisenstein in this film and in others produced by him by the time.

Publication Date

7-1-2017

Campus

Valencia (Spain) Campus

Musical mutiny: Potemkin as a film scoring experimental stage in 21st century

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