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Abstract
This work explores the relationship between music and architecture, proposing a conceptual album that intertwines these two art forms through the lens of phenomenology. Rooted in a background of diverse artistic influences, the project aims to translate architectural concepts into musical compositions, reflecting the notion of "promenade" as theorized by Le Corbusier.
Through this interdisciplinary approach, the thesis not only theorizes on the connections between art forms but also materializes these ideas into a tangible body of work. The project introduces a new artistic identity, "Cuero," symbolizing the fusion of diverse artistic visions. This identity serves as a mediator, enabling a unique dialogue between the creator and the creation, and illustrating the profound interplay between subjectivity and artistic expression.
This work is part of a research line that aims to find common points between different art expressions, the way they can influence one another and how can possibly this art expressions be used as a potential creative tool to develop and maximize all the potential on the singularity of the artistic phenomena such as an song or an architectural object.
Publication Date
7-1-2024
Campus
Valencia (Spain) Campus
Keywords
Song-Writing, Instrumental, Phenomenology, Architecture, Promenade.
Recommended Citation
Pinazzo, Franco. “The genesis of a creative tool starting from interdisciplinarity.” Master's thesis, Berklee College of Music, 2024. https://remix.berklee.edu/graduate-studies-contemporary-performance/294.