Melodic Contours and Harmonic Language: Brazilian Songwriting as a Foundation for Instrumental Composition
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Abstract
This project investigates how the melodic phrasing and emotional depth inherent in Brazilian popular song can inform and reshape contemporary instrumental composition. Emerging from a personal reconnection with Brazilian song traditions during the author's graduate studies at Berklee Valencia, the research marks a shift from an initial focus on electronic textures to an approach grounded in melodic and song-based sensibilities. Influenced by artists such as Chico Pinheiro, Daniel Santiago, and Pedro Martins, the work explores how vocal phrasing can serve as a guiding force in the development of harmony, formal structure, and emotional expression within instrumental contexts. Drawing on performative, action research and autoethnography methodologies, the project blends original compositions, collaborative songwriting, and reflective documentation to build a portfolio rooted in Brazilian melodic aesthetics. Pieces such as “Composition 1,” “Valensambando,” and “Xangô” exemplify how lyrical phrasing and intuitive songwriting practices were adapted to instrumental forms. Through this creative inquiry, the project offers a renewed perspective on the expressive capabilities of melody in instrumental music, positioning songwriting as a culturally resonant and emotionally rich foundation for contemporary composition.
Publication Date
7-1-2025
Campus
Valencia (Spain) Campus
Keywords
Brazilian popular music; instrumental composition; songwriting; melodic phrasing; performative research
Recommended Citation
Galli, Henry. “Melodic Contours and Harmonic Language: Brazilian Songwriting as a Foundation for Instrumental Composition.” Master's thesis, Berklee College of Music, 2025. https://remix.berklee.edu/graduate-studies-contemporary-performance/328.