From Past to Future: Re-imagining the role of the violin
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Abstract
Classical and bluegrass training in violin and fiddle music provide a strong foundation in harmony and melody; however, this study seeks to explore the equally vital dimension of rhythm and groove. By developing the violin's percussive potential — through techniques such as the chop and strum bowing — this project aims to expand musical expression across a broader range of styles and collaborations. Drawing on historical research into the violin, interviews with professional players and music educators, and the composition of five original pieces, this study demonstrates that the violin is a far more versatile instrument than it is commonly credited for being. Collaboration with the Cuareim Quartet further informed new avenues of practice and experimentation, including the slap bow. Findings from interviews underscore the extraordinary moment we are living in: new techniques for the instrument are actively being developed and explored. This project concludes that violinists, composers, and music educators share a responsibility to teach and encourage the next generation of players to think more creatively about the role of the violin in music. Doing so will not only liberate individual artistic expression but will ensure that this remarkably versatile instrument remains relevant in the contemporary musical landscape.
Publication Date
7-1-2026
Campus
Valencia (Spain) Campus
Keywords
violin; the chop; modernization; music education; percussive string techniques
Recommended Citation
Parovsky, Karley, "From Past to Future: Re-imagining the role of the violin" (2026). Contemporary Performance (Production Concentration). 349.
https://remix.berklee.edu/graduate-studies-contemporary-performance/349