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Abstract
4/4 has been the dominant measure for EDM due to its even, intuitive cyclical nature and high danceability. However, throughout history, 4/4 was only one of the many time signatures used by composers to make danceable music. Odd metres such as 3/4, 5/4, 7/8, are also all time signatures that have been used throughout the history of music seem to have fallen out of favour as it progressed. Therefore, the goal of this project is to create a collection of tracks that explore the possibilities of tuple and odd metres in combination with modern electronic music elements while also exploring the reason these metres have disappeared from the popular scene as music evolved. The creative work will feature key limitations i.e. the resulting songs will have to present a clear sense of musicality and danceability and be aimed for the general public. Moreover, the project will also aim to solve relevant issues in terms of music distribution through DJ sets by exploring concepts such as metric modulation. Additionally, to provide better support for the academic work, interviews with musicians who have attempted composition in this direction will be conducted in order to provide more insight and different views on the matter.
Publication Date
7-1-2023
Campus
Valencia (Spain) Campus
Keywords
electronic dance music, rhythm, odd metres, time signature, danceability
Recommended Citation
Florea, Rares. “An EDM Revolution: The introduction of odd metres and rhythmic experiments in modern day electronic dance music.” Master's thesis, Berklee College of Music, 2023. .