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Abstract
This project presents a portfolio of immersive music mixes created using Dolby Atmos, a cutting-edge audio format that allows for three-dimensional sound placement. The project showcases five tracks, originally produced and mixed in stereo, which were adapted to Dolby Atmos to explore the creative and technical possibilities offered by this advanced format. The innovative aspects of this project include the integration of creative movement within the sound field and the application of musicality-related spatial dynamics, both of which enhance the emotional and artistic impact of the music. Additionally, the project addresses the challenges of managing complex signal paths and balancing artistic innovation with established audio quality standards. The outcomes demonstrate the potential of Dolby Atmos as a future standard for music production, with implications for both the music industry and multi-media art forms. This project also opens avenues for further research into spatial audio technology and its application in creating immersive and emotionally engaging audio experiences.
Publication Date
7-1-2024
Campus
Valencia (Spain) Campus
Keywords
Dolby Atmos system, mixing, recording, spatial audio, object-based mixing.
Recommended Citation
Lou, Shutong. “Immersive Music Portfolio: Exploring Hybrid Studio Music Production with Dolby Atmos and Object-Based Audio Techniques.” Master's thesis, Berklee College of Music, 2024. .