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Abstract
After an injury severely limited the author’s ability to play guitar, he searched for a way to continue performing. In Redemption, the author explores different iterations of the artist’s relationship to technology through live performance. This will include both live instruments and electronics as sound sources, as well as a visual component. The author uses different configurations of live electronics, prerecorded loops, live instruments, and live recorded loops throughout the performance. Using Ableton Live, the author has found a new path to performing original music, bringing all of his skills together into one live performance.
Publication Date
7-1-2025
Campus
Valencia (Spain) Campus
Recommended Citation
LiBassi, Paul. “Redemption: A Performance Journey.” Master's thesis, Berklee College of Music, 2025. https://remix.berklee.edu/graduate-studies-production-technology/423.