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Abstract

This thesis narrates the journey behind all stages of my Culminating Experience project in the Master of Scoring for Films, Games, and TV at Berklee Valencia. It focuses on the challenges of reading the narrative arc of a picture, conceptualizing the music, and writing and orchestrating it. The development of a digital mock-up, as well as the post-production stages, are also discussed in the later chapters. The music written will be analyzed in sections with score excerpts for better clarity, where I will discuss references, melody, harmony, and orchestration in depth. The results of this journey are insightful as I explore the intelligent use of instruments in an orchestral context, assessing what is effective in film scoring and what is not.

Publication Date

7-1-2024

Campus

Valencia (Spain) Campus

Keywords

film scoring, orchestration, musical analysis

Rescoring the animation: “DAS MÜESLI”

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