BEYOND THE WARDROBE
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Abstract
This paper analyzes Harry Gregson William's soundtrack for the Chronicles of Narnia: The Lion, The Witch, and the Wardrobe. Specifically it examines both the inclusion and use of non-standard instrumental color in the sonic palette of the soundtrack, and whether said inclusion helps to establish the world of Narnia as a physical, non-earth location. A two-fold analysis is presented, focusing first on the contextual placement of timbral elements, and second on the development and repeition of thematic material.
Publication Date
7-1-2016
Campus
Valencia (Spain) Campus
Recommended Citation
Cherney, Ben. “BEYOND THE WARDROBE.” Master's thesis, Berklee College of Music, 2016. https://remix.berklee.edu/graduate-studies-scoring/39.