BEYOND THE WARDROBE
This paper analyzes Harry Gregson William's soundtrack for the Chronicles of Narnia: The Lion, The Witch, and the Wardrobe. Specifically it examines both the inclusion and use of non-standard instrumental color in the sonic palette of the soundtrack, and whether said inclusion helps to establish the world of Narnia as a physical, non-earth location. A two-fold analysis is presented, focusing first on the contextual placement of timbral elements, and second on the development and repeition of thematic material.
Valencia (Spain) Campus
Cherney, Ben. “BEYOND THE WARDROBE.” Master's thesis, Berklee College of Music, 2016. https://remix.berklee.edu/graduate-studies-scoring/39.