"THE AESTHETICS AND FORM OF JÓHANN JÓHANNSSON’S HYBRID UNDERSCORE FOR ‘" by Martino Maria Vacca
 
THE AESTHETICS AND FORM OF JÓHANN JÓHANNSSON’S HYBRID UNDERSCORE FOR ‘THE THEORY OF EVERYTHING’

THE AESTHETICS AND FORM OF JÓHANN JÓHANNSSON’S HYBRID UNDERSCORE FOR ‘THE THEORY OF EVERYTHING’

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Abstract

The project focuses on the challenges faced by the composer of "The Theory of Everything", Jóhann Jóhannsson, in creating a timeless underscore for a movie that depicts a time period covering three decades.

Publication Date

7-1-2016

Campus

Valencia (Spain) Campus

THE AESTHETICS AND FORM OF JÓHANN JÓHANNSSON’S HYBRID UNDERSCORE FOR ‘THE THEORY OF EVERYTHING’

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