THE AESTHETICS AND FORM OF JÓHANN JÓHANNSSON’S HYBRID UNDERSCORE FOR ‘THE THEORY OF EVERYTHING’

THE AESTHETICS AND FORM OF JÓHANN JÓHANNSSON’S HYBRID UNDERSCORE FOR ‘THE THEORY OF EVERYTHING’

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Abstract

The project focuses on the challenges faced by the composer of "The Theory of Everything", Jóhann Jóhannsson, in creating a timeless underscore for a movie that depicts a time period covering three decades.

Publication Date

7-1-2016

Campus

Valencia (Spain) Campus

THE AESTHETICS AND FORM OF JÓHANN JÓHANNSSON’S HYBRID UNDERSCORE FOR ‘THE THEORY OF EVERYTHING’

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