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"Come tempesta in mar": Awe and Terror in Haydn’s Sacred Music
Clive McClelland

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Joseph Haydn and the New Formenlehre: Teaching Sonata Form with His Solo Keyboard Works
James MacKay

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The Expositions of Haydn's String Quartets: A Corpus Analysis
Evan Cortens

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Sentimental Aesthetics in D-flat Major: Adagio of Haydn’s Hob. XVI:46
Keri Hui

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Reassessing Haydn’s Orfeo in the Theatre
Dorian Bandy and Caryl Clark

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Choose Your Own Adventure: Scaffolding Multi-Movement Analysis through Haydn's Sonata in C Major, Hob. XVI:10
Angela Ripley

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Teaching Harmony, Voice Leading, and Form with Haydn's Early Keyboard Sonatas
Olga Sánchez-Kisielewska

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Haydn's "Farewell" Symphony: the Musical Aftermath of an Anecdote
Christine Siegert

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Creating Chaos in Haydn's Creation
Melanie Lowe

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A “Rosary” Symphony? The Impact of Haydn’s Religious Faith on His Symphonies
Henry Stratmann