Finding Climax and Cadence in the Uninflected Voice
Journal
Music Therapy Perspectives
Year
2004
Abstract
The paper provides a theoretical basis for understanding the positive effects music therapy programs have on enhancing the vocal expression and intonation of people with acquired brain injury. To date, this theme has not been described in the music therapy literature. In this paper, neurological, physiological, and emotional perspectives have been explored through research findings and theoretical standpoints. A comparison of the neurological underpinnings of melody in both song and speech are provided as a framework for understanding how song singing may contribute to rehabilitating vocal intonation. Music therapy's role in reducing physical tension and improving posture, and how this affects vocal freedom, has also been outlined. In addition, the influences of emotional disturbance on vocal freedom has been described with referenceto how music therapy may indirectly affect vocal expression through the enhancement of mood. Finally, the authors present a short case vignette to provide a context for understanding the perspectives presented in the text.
Music and Health Institute Terms
Emotional Functioning; Mood; Music Therapy; Psychological Outcomes; Recreative Music Methods; Singing a Song; Tension; Traumatic Brain Injury
Indexed Terms
Psychology; Intonation; Singing; Comparative analysis; Mood; Traumatic brain injury; Neurological disorders; Acquired brain injury; Human voice
Study Type
Editorial, Opinions, Position Papers
Document Type
Article
Recommended Citation
Baker, F., & Wigram, T. (2004). Finding Climax and Cadence in the Uninflected Voice. Music Therapy Perspectives, 22 (1), 4-10. Retrieved from https://remix.berklee.edu/mhi-citations/1707