Milad Ibdah

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Abstract

This thesis explores the modernization of traditional Sama’i compositions through reharmonization and the integration of unconventional instruments. Sama’i, a significant genre in Arabic and Turkish classical music, is characterized by its distinct 10/8 rhythm known as Sama’i Thaqeel. The study aims to preserve the essence of these classical pieces while making them accessible and appealing to contemporary audiences.

The initial phase involved identifying the central tonality of the Sama’i compositions, typically rooted in minor or Phrygian scales. Two compositions have been successfully reharmonized and recorded, utilizing chords related to these keys and incorporating instruments such as the double bass, piano, and drums. These recordings demonstrate a blend of traditional and modern elements, meeting contemporary sound standards.

The project is ongoing, with four additional compositions currently being reharmonized and recorded. The goal is to produce a complete album featuring a selection of reharmonized Sama’i pieces, presented in a modern context while retaining their traditional charm.

Case studies, including Tatyos Efendi’s "Sama’i Hijaz Kar Kurd," highlight the balance between tradition and innovation. This approach has led to a renewed appreciation for traditional Sama’i music, a deeper understanding of its harmonic potential, and a successful merging of old and new musical elements.

Future directions include completing the reharmonization and recording process, exploring further innovative blends of traditional and modern music, and expanding the repertoire. This work contributes to the preservation and revitalization of Middle Eastern musical heritage, ensuring its continued relevance in the contemporary music scene.

Publication Date

7-1-2024

Campus

Valencia (Spain) Campus

Reimagining Tradition: Sama’i Music in a Modern Context

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