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Abstract
The portfolio, titled "Ikigai," showcases 55 songs recorded, mixed, or both, by the author. The project's objective was to learn the art of recording and mixing while leveraging Berklee's exceptional facilities and community of talented artists, producers, and engineers. This endeavor resulted in a diverse body of work spanning multiple genres and languages, reflecting deep collaboration and trust between the author and his collaborators. The projects varied in complexity, from simple duos to full albums featuring multiple vocalists, string ensembles, and rhythm sections. Achieving success in this project required meticulous planning, frequent studio sessions, and an adaptive mindset. Prior to attending Berklee, the author had no formal studio experience. Consequently, the author developed essential skills on the job, including recording techniques, mixing techniques, Pro Tools operation, and session management. Each session was an opportunity to learn and apply new lessons, fostering continuous growth. This project is part of seven other culminating experiences, highlighting its significance. Its impact lies in the author's contribution to helping other artists realize their visions and in establishing a foundation for a career in audio engineering. In completing this work, the author found an instance of "Ikigai"—the convergence of passion, mission, vocation, and profession. The work embodied what the author wanted to do, what needed to be done, and the essential lessons to be learned, all in one place.
Publication Date
7-1-2024
Campus
Valencia (Spain) Campus
Keywords
Audio, Music, Recording, Mixing, Engineering, Portfolio
Recommended Citation
Chesebrough, John. “Ikigai: A Recording and Mixing Portfolio.” Master's thesis, Berklee College of Music, 2024. .