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Abstract
This paper focuses on the composition of a 3-minute orchestral piece inspired by the aesthetic and narrative universe of the acclaimed video game saga "Half-Life." The research aims to capture the essence and atmosphere of the saga by merging stylistic and orchestral influences from the video game composers who have significantly impacted my personal journey as a fan of this genre. Additionally, it explores the combination of these musical languages with my own musical language, emphasizing the use of vintage analog instruments.
The creative process behind the composition of the piece is described, starting from the conception of musical ideas to its complete development. Specific compositional decisions are analyzed, such as the use of thematic motifs, formal structure, and manipulation of instrumentation, with the aim of establishing a deep emotional connection to the "Half-Life" universe.
Through this research and creative endeavor, the thesis contributes to the understanding of the creative process in video game-inspired orchestral composition and highlights the importance of merging personal style and influences. The outcome is a composition that not only reflects my artistic vision but also pays homage to the immersive and captivating world of "Half-Life."
Publication Date
7-1-2023
Campus
Valencia (Spain) Campus
Keywords
video game scoring, hybrid score, Half Life, Rhodes, Moog.
Recommended Citation
Osiewala, Daniel. “A MUSICAL RETHINKING OF THE HALF LIFE UNIVERSE: “Stories from City 17”.” Master's thesis, Berklee College of Music, 2023. https://remix.berklee.edu/graduate-studies-scoring/220.